Ever since I started running, I have often thought of the activity as a craft. At the beginning, my interests lay primarily in exploring wild places in nature. Running was the simplest tool to interact with the environment, with few barriers standing between me and the experience. I saw foot as brush, land as canvas. The creative dimension came through foot upon land, an ephemeral art of passing by. The craft, however, was one-directional, in that I sought to create something by running over the land, as if movement when fine and elegant, could make something beautiful transpire. Temporary footprints on the earth left nothing transformative in me or directly tangible that I could share with others.
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